David Rodeback's Fiction, Free Short Stories - Unpublished

Wildfire (a short story)

Getting to Maylee’s going-away party at all was a thing. My cousin Jaxson and I took a state highway into the country and turned onto a small road, then a smaller road, then one that rattled my teeth and wasn’t even paved. I didn’t complain. Jaxson was a nice guy, but he’d just call me a city girl again.

Just past a farmhouse and a dark cluster of outbuildings, we turned onto a trail around the edge of a field. We were eight miles from town, he said. It felt like fifty.

The bumps on the trail were bigger but fewer than on the road. Jaxson drove cautiously, except where a leaking irrigation line had flooded the trail. We sailed through that swamp at reckless speed, so we wouldn’t get stuck.

“I love doing that,” he said.

I considered prying my white-knuckled hands from the center armrest and the handle above my door. Maybe not yet.

The trail cut away from the field, and the headlights probed an unearthly scene – broken, jagged, black lava, with scattered, stunted brush and forlorn tufts of grass that wasn’t green.

Jackrabbits scampered across our path, then a fatter, lumbering thing. A groundhog, maybe. I didn’t ask.

Miles later, or maybe a hundred yards, another field opened before us, nestled among the lava. It looked like grass – green, this time – but he guessed it was wheat or barley. The headlights didn’t reach across it.

We parked with other muddy vehicles in a sort of grassy cove, with no lava but no grain planted either. We’d walk along the edge of the field, he said, to another cove with a fire and some old logs for seating. He’d been here before.

Thick clouds hid the stars, and there was no moon. Darkness was never this black in the city.

Notes & Essays by David Rodeback, Writing, Language & Books

Where We Do Difficult Things:
Good AF Writers

Writing is often a solitary activity, well suited to introverts. We thrive in a sort of solitude where we rarely feel alone, thanks to the people or creatures, historical or imagined, who fill our stories and books. But several essential writerly activities require us to interact with contemporary, fellow humans in challenging ways. Three of these happen over and over again at the twice-monthly meetings of a local critique group, Good AF Writers. (AF is for American Fork, Utah. What were you thinking?)

Different critique groups operate in different ways, but most have three nerve-wracking activities in common:

  • reading an excerpt of your writing aloud
  • hearing others’ feedback on your writing
  • giving others your feedback on their writing
David Rodeback's Fiction, Free Short Stories - Unpublished

Open Windows (a very short story)

I’m with my critique group in someone’s back yard. They’ve read a draft of my latest short story this week, and it’s time for critiques. They won’t be cruel. They’ll praise what they like but pull no punches. I need them not pulling punches. We’re trying to become better writers.

Tonight, though, maybe I need to feel safe more than I need to improve. What they don’t know, and I won’t tell them, is that this story isn’t purely fiction. It’s about a part of my past I don’t talk about.

Until now.

Coincidentally, I also have fresh messages to call both my parents. The timing is troubling. We weren’t due to speak again for another two months, on my birthday.

In our group Peter (historical thrillers) is the sensitive one. He goes first, from across the table. Tonight I’d rather he went last. He’s our Balm of Gilead.

“Jeri, this is fiction, right? And the female MC isn’t you?”

By rule, authors just listen to the critiques, but we’re not strict. “It’s fiction,” I say. “She’s not me.”


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David Rodeback's Fiction, Free Short Stories - Unpublished

Not Here (a short story)

Dublin, c. 2055

Grandpa’s antique accordion wheezed gently. Its bellows breathed the cool, damp Irish air for the first reedy notes of my song. Grandpa was long dead, but his polished instrument came alive in my hands, as always. It had been safely in its case during my transit between the fishing boat and the shore, so it was untouched by the salt spray that had touched everything else.

I played a tune that had haunted me from the moment I first heard him play it at his home, after a service at his Russian Orthodox cathedral in London. That was back when London – part of London – was still a vibrant, multiethnic showpiece.

The city wasn’t like that anymore. It had decayed into lukewarm tribal warfare, like the rest of the Pan-European Alliance for Peace and Social Justice. A hundred factions chose their allies and fought their enemies with laws, protests, barricades, and often weapons. Alliances shifted and shifted again, and the conflict continued.

“In church this song for only voices, unaccompanied,” Grandpa explained in his thick Russian accent. I had tried for years to master that accent, with its rich, long vowels, but I couldn’t. In truth I spoke poorly in words, accented or otherwise. Everything music was to me, words were not.

Notes & Essays by David Rodeback, Writing, Language & Books

Recent Reading: 10 More Books and a Memory

The more I read, the more I want to talk about what I read — and I’ve been reading more lately. I don’t mean more than I’ve ever read before. There was graduate school at Cornell — in Russian literature, a landscape of giant novels (which I still love), countless poems and short stories, and sprawling artistic manifestoes. Long before that were nineteen days at my grandparents’ farm in April 1975.

Do you mind very much if I remember for a few moments before I list the books?

David Rodeback's Fiction, Free Short Stories - Published

Invisible (a short story)

I can be invisible. No, really. I have proof. We’ll get to that.

I can see myself in the mirror, and other people can see me if they want. You probably could if you wanted to. So I don’t think my invisibility is supernatural. It’s more like out of mind, out of sight.

It hasn’t always been this way, and I don’t just mean that people ignore me at school, though they mostly do. In the halls that’s a good thing. Even as a seventh grader, I’m too tall for ninth graders to stuff me into a locker, but that doesn’t mean they wouldn’t try.

Mostly it’s my sister, Joanie, and her best friend, Charlotte. They’re both three years older than me, so they’re sophomores. They go to high school.

Joanie’s friends get to call her Jo. As for Charlotte, everyone calls her Shar—except me, because I like her real name.

I’m Stefan, but Stef is fine too. I’m an artist.

Faith, Religion & Scripture, Notes & Essays by David Rodeback

“I triumph still, if Thou abide with Me” (a reflection)

One of the unsung joys of Christian worship — there may be a pun there, alas — is encountering verses of a beloved hymn which aren’t in the hymnal you happen to use. A double blessing is discovering (or later remembering) them in a time when they are immediately relevant to you, your loved ones, or the state of things around us generally. This week, I was struck by these lines from the well-beloved hymn on Henry Francis Lyte’s text, “Abide with Me”:

I fear no foe, with Thee at hand to bless;
Ills have no weight, and tears no bitterness.
Where is death’s sting? Where, grave, thy victory?
I triumph still, if Thou abide with me.

David Rodeback's Fiction, Free Short Stories - Unpublished

I Dreamed You Died Thursday Night (a very short story)

Last Thursday night, I dreamed that you died.

I don’t know you. You don’t know me – and now you probably don’t want to.

But you’re wondering, how did I know it was you?

I know you died because everybody died. Everybody on earth and the handful of people in orbit too.

Maybe the next thing you’re wondering is, how did we all die? And who, if anyone, caused it to happen? (Maybe the Iranians finally got the bomb, and it was a really big bomb – or they started a really big war. But I think not. It seemed to happen faster than that.)

I’ll answer your questions in reverse order.

The how is, I caused it.